Mel Brooks’ YOUNG FRANKENSTEIN is one of those musicals that one might describe as “typical.” It gives us songs, dancing, humor (of the Mel Brooks style) and an abundance of shtick. And, of course there’s a big green monster that terrorizes a Transylvanian village all while singing and dancing himself. Remember “Puttin’ on the Ritz”?
Most everyone knows the story from the movie of the same name. (Young) Dr. Frankenstein, an American university professor, travels to Transylvania upon hearing of the death of his grandfather, the infamous mad scientist. As you can imagine, the antics begin there.
As for this production specifically, it was solid for the most part with a few opening night glitches. Ben Reece plays Dr. Frederick (Young) Frankenstein, and does so very well. Aside from some sound issues that at times made it seem as though his mic was stuck under his collar, he was perfectly cast and has a strong enough voice for the role.
Tom Warrick kept us laughing throughout the entire show as Igor and brought the shtick that could please even Mr. Brooks.
And what can I say about Bobbie Eakes (All My Children, The Bold and the Beautiful) as Frau Blucher? Seeing her play this role was worth way more than the price of admission! She was truly better than Broadway. She brought the character’s signature number, “He Vas My Boyfriend” to life, and her timing throughout her scenes was spot on.
Also a standout in this cast was Katie Pavao as Inga. She was an absolute charmer and stopped the show more than once with her strong chops, ancillary wit and her natural innocence and charm. And she was downright funny.
Don’t forget the monster. J. Stegar Thompson played him perfectly. And, he could sing! So well, in fact, that I caught myself wishing I could hear more from him after his reprise of the infamous “Deep Love” at the end of Act II.
One of the best character performances was from Denise Carey as Elizabeth, the Dr.’s love interest. She seems to be a great actress. Unfortunately, her vocal performances were somewhat disappointing. Particularly at our first exposure to her during the number “Please Don’t Touch Me.” Some of the problems could have been (again) related to her mic; however, there were notes that were just off. A song that should have had the audience howling with laughter… just left us.
Overall, this is a good production. The strength comes from the majority of the leads, and to see this cast work together is certainly worth your time.
YOUNG FRANKENSTEIN runs through November 2nd at Palm Canyon Theatre in Palm Springs, CA. For more information and to purchase tickets visit www.PalmCanyonTheatre.org.
